Ceramic Art

Ceramic art

In art history, ceramics  and ceramic art mean art objects such as figures, tiles, and tableware made from clay and other raw materials by the process of pottery. Some ceramic products are regarded as fine art, while others are regarded as decorative, industrial  or applied art objects, or as artifacts in archaeology. They may be made by one individual or in a factory where a group of people design, make and decorate the ware. Decorative ceramics are sometimes called “art pottery”.

The word “ceramics” comes from the Greek keramikos, meaning “pottery”, which in turn comes from keramos, meaning “potter’s clay.”  Most traditional ceramic products were made from clay (or clay mixed with other materials), shaped and subjected to heat, and tableware and decorative ceramics are generally still made this way. In modern ceramic engineering usage, ceramics is the art and science of making objects from inorganic, non-metallic materials by the action of heat. It excludes glass and mosaic made from glass tesserae.

There is a long history of ceramic art in almost all developed cultures, and often ceramic objects are all the artistic evidence left from vanished cultures, like that of the Nok in Africa over 2,000 years ago. Cultures especially noted for fine ceramics include the Chinese, Cretan, Greek, Persian, Mayan, Japanese, and Korean cultures, as well as the modern Western cultures.

Elements of ceramic art, upon which different degrees of emphasis have been placed at different times, are the shape of the object, its decoration by painting, carving and other methods, and the glazing found on most ceramics.

Early pots were made by the “coiling” method, working the clay into a long string which was wound round to form a shape and then modelled to form smooth walls. The potter’s wheel was probably invented in Mesopotamia by the 4th millennium BC, but spread across nearly all Eurasia and much of Africa, though it remained unknown in the New World until the arrival of Europeans. Decoration of the clay by incising and painting is found very widely, and was initially geometric, but often included figurative designs from very early on.

So important is pottery to the archaeology of prehistoric cultures that many are known by names taken from their distinctive, and often very fine, pottery, such as the Linear Pottery culture, Beaker culture, Globular Amphora culture, Corded Ware culture and Funnelbeaker culture, to take examples only from Neolithic Europe (approximately 7000-1800 BCE).

Ceramic art has generated many styles from its own tradition, but is often closely related to contemporary sculpture and metalwork. Many times in its history styles from the usually more prestigious and expensive art of metalworking have been copied in ceramics. This can be seen in early Chinese ceramics, such as pottery and ceramic-wares of the Shang Dynasty, in Ancient Roman and Iranian pottery, and Rococo European styles, copying contemporary silverware shapes. A common use of ceramics is for “pots” – containers such as bowls, vases and amphorae, as well as other tableware, but figurines have been very widely made.

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